Congress provided immunity under Section 230 to online service providers for all claims stemming from third party content appearing on or through the service provider’s platform (“No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.”). The controversial consumer gripe site, RipoffReport.com, is at it again. MORE
If you’re a gay gamer (a gaymer ), you might have wished from time to time to find a game or two with some gay/lesbian content. Lucky for you, someone has prepared a list of such games. That someone is a conservative, and evidently homophobic, investment advisory firm, but no matter—we appreciate the list. MORE
The suit claims the service is harming competitors, customers and copyright owners. read more. THR, Esq. Tech Tech THR Online MORE
I want to call your attention to a letter by members of the Content Creators Coalition regarding the Copyright Office. Lofgren’s rambling can best be addressed by this letter to the Congressional Black Caucus from artist members of the Content Creators Coalition. (I MORE
YouTube has struck back with the usual squid ink trying to obfuscate Google’s absurdly ineffective Content ID and Content Management System (“CMS”), most recently to the New York Times. You know, the way you have to be approved and have a license to use Content ID. MORE
You can view earlier installments here: Treehouse Informal learning (technical) Corporate MOOCs MOOCs Content libraries. The content is definitely designed for beginners, and it is great at what it does. MORE
The post Actor Liability for Content – Entertainment Law Asked & Answered originally appeared on Entertainment Law Offices of Gordon P. AUDIO: TRANSCRIPT: [link]. Can an actor or voice artist be liable for performing scenes or quotes from existing plays, movies and TV shows? MORE
Meanwhile, the telecom industry is invoking the "Open Internet" rules to argue that TV programmers shouldn't be allowed to restrict access to streams. read more. THR, Esq. The Business Movies Television Business THR Online MORE
Ned Snow, University of South Carolina, is publishing Content-Based Copyright Denial in volume 90 of the Indiana Law Journal (2015). Here is the abstract. No principle of First Amendment law is more firmly established than the principle that government may MORE
MP3Tunes and its founder Michael Robertson can't escape a determination of owing tens of millions of dollars to record labels and music publishers. read more. THR, Esq. The Business Movies Music Tech Business THR Online MORE
A legally infamous adult publisher — along with friends at the Recording Industry Association of America — suffer a defeat. read more. THR, Esq. The Business Movies Music Tech Business THR Online MORE
Thomas of Fasken Martineau discusses provider liability in the case of Canadian users who "jump the geofence" in order to watch streamed US content. Ariel A. Read more here MORE
It should come as no shock that Google chose Kafka (a long-time Google fan boy) as the safe interviewer for Lyor, but it really is stunning how oblivious Lyor is to how to scam Content ID which has leaked like the proverbial sieve since its inception. MORE
Copyright holders get the victory against a Dutch seller. read more. THR, Esq. Business Television Tech Business THR Online MORE
Consumers have access to an ever increasing inventory of video content Rob Frieden, Pennsylvania State University College of Communications and Dickinson School of Law has published Next Generation Television and the Migration from Channels to Platforms. Here is the abstract. MORE
Recall that the Content Creators Coalition produced a couple videos that parodied the main two issues that the creative community has with YouTube: YouTube’s absurdly low royalties and YouTube’s absurd abuse of the DMCA safe harbor. MORE
In a blog post last month, Google announced that it would extend certain commitments it made to the FTC in 2012 that were set to expire relating to, among other things, the scraping of third-party content for use on certain Google “vertical search” properties such as Google Shopping. As part of the extended commitment, Google reserved the right to display content that was sourced independently or to otherwise crawl and index web content to innovate in search. MORE
music rights), and others that I will write about more in coming weeks, including privacy, online sponsorship attribution, user-generated content, and other issues that arise in the online world. What often happens is that someone at a station is putting together some content for a station website – say the arrival in town of some band whose music the station plays. ” While in some ways it is, it really is more a medium for the dissemination of content in one way or another. MORE
When it officially launched in December 2009, I wrote a review giving it credit for “getting into the game with swagger” by loading up on primary legal content, creating its own editorial enhancements, and developing its own citator to rival Shepard’s and KeyCite. MORE
Megan Gray, Stanford Center for Internet & Society; Gray Matters, has published Copyright Infringement and the First Amendment: User-Generated Content and DMCA Interpretation -- Youtube. MORE
Katri Havu, University of Helsinki, is publishing Unfair Commercial Contracts and Online Content Distribution: Insights into Problems, Regulation and Potential of European Harmonization in Tidskrift utgiven av Juridiska Föreningen i Finland, 6/2014 (forthcoming). Commercial online content MORE
Content and technology are locked in a struggle whose outcome may determine the future of the entertainment industry. The problem is this: Content is becoming a commodity. Instead, new distribution technologies have arisen, and the ascendancy of those technologies has come at the expense of content. Tags: technology Hollywood Silicon Valley content MORE
Content ID, YouTube’s digital fingerprinting technology, is under fire lately for very good reason. Originally touted by YouTube as an effective method of blocking illegal uploads, Content ID was ostensibly the service’s way to protect copyright holders. By Maria Schneider. MORE
The creator of the zombie series is asserting trademark rights to stop a restaurateur. read more. THR, Esq. The Business Television Business THR Online MORE
The safe-harbour provisions shield service providers from liability for infringements perpetrated by their users, provided they expeditiously take down infringing content of which they have been notified – that is how it works in practice, at least. One thing I believe everyone can agree on is that the safe-harbour (aka “notice-and-takedown”) provisions of the DMCA aren’t working as they should. MORE
TRANSCRIPT: What can you do when someone uses your content without permission? If someone is using your content without your permission, here are the steps. AUDIO: [link]. MORE
Haupt, Columbia University Law School and Yale University Information Society Project, is publishing Professional Speech and the Content-Neutrality Trap in volume 127 of the Yale Law Forum (2017). Claudia E. MORE
Ginsburg and Luke Budiardjo, both of Columbia Law School, have published Liability for Providing Hyperlinks to Copyright-Infringing Content: International and Comparative Law Perspectives as Columbia Public Law Research Paper 14-563. Jane C. MORE
Facebook recently announced that it would make changes to its news feed to prioritize content that users share and discuss and material from “reputable publishers.” These changes are part of what Mark Zuckerberg says is a refocusing of Facebook from “ helping [users] find relevant content to helping [users] have more meaningful social interactions.” Online Content Social Media CDA Section 230 Facebook news feed social media MORE
Graber, University of Zurich, Faculty of Law, has published The Future of Online Content Personalisation: Technology, Law and Digital Freedoms as i-call Working Paper Series (University of Zurich). Christoph B. MORE
George Wright, Indiana University School of Law (Indianapolis), has published Content-Neutral and Content-Based Regulations of Speech: A Distinction that is No Longer Worth the Fuss. The popular binary distinction between content-based and content-neutral regulations of Here is the abstract. MORE
The Copyright Office last year announced changes to its system for registering designated agents for receiving take-down notices that are sent by copyright owners when they believe that user-generated content posted on a website is infringing on the copyright owner’s content (see our article here ). If you host any content on your website that is created by third parties (e.g. MORE
Because Pathgather aggregates formal learning content within organizations and informal learning from across the web into one place, we’re uniquely positioned to identify interesting corporate learning trends. Third-Party Content: Lynda.com, Coursera, Pluralsight, Khan, Udacity, etc. MORE
Trial briefs are filed over the AT&T/Time Warner merger. The government says that market conditions are "conducive to coordination." read more. THR, Esq. Business Movies Television Tech Business THR Online MORE
The Canadian Radio-television and Telecommunications Commission says it is changing its approach toward broadcast content, and will no longer require specialty channels to include a specific amount of Canadian content. In addition, daytime Canadian tv will no longer include a MORE
Marc Cuban's Content Partners is suing Paramount Pictures for millions over what it alleges is breach of contract and fraud stemming from unpaid profits on various films such as "The Truman Show" and "A Civil Action," according to The Hollywood MORE
From The Hollywood Reporter: CBS and Netflix have entered into a two year deal to provide Netflix users streaming content of CBS Corp's material, including 90210, United States of Tara, Californication, and Dexter. In addition, Latin American subscribers will get MORE
Here’s a blast from the not so distant past on Content ID groundhog day… MUSIC • TECHNOLOGY • POLICY. YouTube has struck back with the usual squid ink trying to obfuscate Google’s absurdly ineffective Content ID and Content Management System (“CMS”), most recently to the New York Times. MORE
"Major European clients are pulling their ad dollars out of Google and YouTube because of fears that their ads will end up next to videos promoting terrorism, racism and hate, and earn money for the extremists who posted the content. Three of Britain’s biggest banks just removed their ads from Google when they saw their campaigns appearing next to extremist content. Companies Pull Ads From Google, YouTube Over Racist, Terrorist Content MORE
The prevalence of social production and the increase in User Generated Content Niva Elkin-Koren, University of Haifa Faculty of Law, is publishing Tailoring Copyright to Social Production, in volume 12 of Theoretical Inquiries in Law (2011). Here is the abstract. MORE
There have been a number of cases in which federal courts have been addressing the issue of peer to peer downloads of adult content. Most of the cases allege copyright infringement on a joint basis, i.e., that all the defendants who downloaded the content should be considered joint defendants. MORE
The 14-year-old plaintiff, represented by Mark Geragos, came across a Buzzfeed article that "perverted" Disney characters into "obscene" images. read more. THR, Esq. The Business Tech Business THR Online MORE
Kyle Langvardt, University of Detroit Mercy School of Law, is publishing Regulating Online Content Moderation in volume 106 of the Georgetown Law Journal (2018). MORE
Content Related Topics 
Gordon P. Firemark
OCTOBER 6, 2016
The post Actor Liability for Content – Entertainment Law Asked & Answered originally appeared on Entertainment Law Offices of Gordon P. AUDIO: TRANSCRIPT: [link]. Can an actor or voice artist be liable for performing scenes or quotes from existing plays, movies and TV shows?
Pathgather
DECEMBER 15, 2016
Because Pathgather aggregates formal learning content within organizations and informal learning from across the web into one place, we’re uniquely positioned to identify interesting corporate learning trends. Third-Party Content: Lynda.com, Coursera, Pluralsight, Khan, Udacity, etc.
Music Technology Policy
OCTOBER 31, 2017
Recall that the Content Creators Coalition produced a couple videos that parodied the main two issues that the creative community has with YouTube: YouTube’s absurdly low royalties and YouTube’s absurd abuse of the DMCA safe harbor.
Media Law Prof Blog
SEPTEMBER 18, 2017
Kyle Langvardt, University of Detroit Mercy School of Law, is publishing Regulating Online Content Moderation in volume 106 of the Georgetown Law Journal (2018).
Gordon P. Firemark
JULY 20, 2017
TRANSCRIPT: What can you do when someone uses your content without permission? If someone is using your content without your permission, here are the steps. AUDIO: [link].
Music Technology Policy
JUNE 3, 2016
YouTube has struck back with the usual squid ink trying to obfuscate Google’s absurdly ineffective Content ID and Content Management System (“CMS”), most recently to the New York Times. You know, the way you have to be approved and have a license to use Content ID.
THR, Esq. Entertainment & Media Law Blog
DECEMBER 19, 2017
The suit claims the service is harming competitors, customers and copyright owners. read more. THR, Esq. Tech Tech THR Online
Pathgather
JANUARY 5, 2016
You can view earlier installments here: Treehouse Informal learning (technical) Corporate MOOCs MOOCs Content libraries. The content is definitely designed for beginners, and it is great at what it does.
Media Law Prof Blog
APRIL 7, 2016
Ned Snow, University of South Carolina, is publishing Content-Based Copyright Denial in volume 90 of the Indiana Law Journal (2015). Here is the abstract. No principle of First Amendment law is more firmly established than the principle that government may
Media Law Prof Blog
OCTOBER 21, 2016
Graber, University of Zurich, Faculty of Law, has published The Future of Online Content Personalisation: Technology, Law and Digital Freedoms as i-call Working Paper Series (University of Zurich). Christoph B.
Music Technology Policy
JULY 31, 2016
Content ID, YouTube’s digital fingerprinting technology, is under fire lately for very good reason. Originally touted by YouTube as an effective method of blocking illegal uploads, Content ID was ostensibly the service’s way to protect copyright holders. By Maria Schneider.
Media Law Prof Blog
APRIL 13, 2017
Haupt, Columbia University Law School and Yale University Information Society Project, is publishing Professional Speech and the Content-Neutrality Trap in volume 127 of the Yale Law Forum (2017). Claudia E.
THR, Esq. Entertainment & Media Law Blog
MARCH 9, 2018
Trial briefs are filed over the AT&T/Time Warner merger. The government says that market conditions are "conducive to coordination." read more. THR, Esq. Business Movies Television Tech Business THR Online
Digital Media Law
DECEMBER 5, 2008
If you’re a gay gamer (a gaymer ), you might have wished from time to time to find a game or two with some gay/lesbian content. Lucky for you, someone has prepared a list of such games. That someone is a conservative, and evidently homophobic, investment advisory firm, but no matter—we appreciate the list.
New Media and Technology Law
OCTOBER 24, 2017
Congress provided immunity under Section 230 to online service providers for all claims stemming from third party content appearing on or through the service provider’s platform (“No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.”). The controversial consumer gripe site, RipoffReport.com, is at it again.
Music Technology Policy
MAY 10, 2017
It should come as no shock that Google chose Kafka (a long-time Google fan boy) as the safe interviewer for Lyor, but it really is stunning how oblivious Lyor is to how to scam Content ID which has leaked like the proverbial sieve since its inception.
Music Technology Policy
MAY 15, 2017
Here’s a blast from the not so distant past on Content ID groundhog day… MUSIC • TECHNOLOGY • POLICY. YouTube has struck back with the usual squid ink trying to obfuscate Google’s absurdly ineffective Content ID and Content Management System (“CMS”), most recently to the New York Times.
Media Law Prof Blog
NOVEMBER 25, 2014
Katri Havu, University of Helsinki, is publishing Unfair Commercial Contracts and Online Content Distribution: Insights into Problems, Regulation and Potential of European Harmonization in Tidskrift utgiven av Juridiska Föreningen i Finland, 6/2014 (forthcoming). Commercial online content
Media Law Prof Blog
MARCH 5, 2015
George Wright, Indiana University School of Law (Indianapolis), has published Content-Neutral and Content-Based Regulations of Speech: A Distinction that is No Longer Worth the Fuss. The popular binary distinction between content-based and content-neutral regulations of Here is the abstract.
Music Technology Policy
MAY 26, 2016
The safe-harbour provisions shield service providers from liability for infringements perpetrated by their users, provided they expeditiously take down infringing content of which they have been notified – that is how it works in practice, at least. One thing I believe everyone can agree on is that the safe-harbour (aka “notice-and-takedown”) provisions of the DMCA aren’t working as they should.
Media Law Prof Blog
MARCH 12, 2015
The Canadian Radio-television and Telecommunications Commission says it is changing its approach toward broadcast content, and will no longer require specialty channels to include a specific amount of Canadian content. In addition, daytime Canadian tv will no longer include a
Digital Media Law
JUNE 9, 2009
Content and technology are locked in a struggle whose outcome may determine the future of the entertainment industry. The problem is this: Content is becoming a commodity. Instead, new distribution technologies have arisen, and the ascendancy of those technologies has come at the expense of content. Tags: technology Hollywood Silicon Valley content
Film and Television Law Blog
FEBRUARY 5, 2014
There have been a number of cases in which federal courts have been addressing the issue of peer to peer downloads of adult content. Most of the cases allege copyright infringement on a joint basis, i.e., that all the defendants who downloaded the content should be considered joint defendants.
Communications And Entertainment Law Blog
MARCH 21, 2017
"Major European clients are pulling their ad dollars out of Google and YouTube because of fears that their ads will end up next to videos promoting terrorism, racism and hate, and earn money for the extremists who posted the content. Three of Britain’s biggest banks just removed their ads from Google when they saw their campaigns appearing next to extremist content. Companies Pull Ads From Google, YouTube Over Racist, Terrorist Content
Media Law Prof Blog
MARCH 19, 2015
Thomas of Fasken Martineau discusses provider liability in the case of Canadian users who "jump the geofence" in order to watch streamed US content. Ariel A. Read more here
Media Law Prof Blog
NOVEMBER 17, 2017
Ginsburg and Luke Budiardjo, both of Columbia Law School, have published Liability for Providing Hyperlinks to Copyright-Infringing Content: International and Comparative Law Perspectives as Columbia Public Law Research Paper 14-563. Jane C.
THR, Esq. Entertainment & Media Law Blog
JANUARY 15, 2016
Meanwhile, the telecom industry is invoking the "Open Internet" rules to argue that TV programmers shouldn't be allowed to restrict access to streams. read more. THR, Esq. The Business Movies Television Business THR Online
Broadcast Law Blog
MAY 15, 2017
The Copyright Office last year announced changes to its system for registering designated agents for receiving take-down notices that are sent by copyright owners when they believe that user-generated content posted on a website is infringing on the copyright owner’s content (see our article here ). If you host any content on your website that is created by third parties (e.g.
Media Law Prof Blog
AUGUST 8, 2012
Consumers have access to an ever increasing inventory of video content Rob Frieden, Pennsylvania State University College of Communications and Dickinson School of Law has published Next Generation Television and the Migration from Channels to Platforms. Here is the abstract.
Media Law Prof Blog
NOVEMBER 18, 2010
The prevalence of social production and the increase in User Generated Content Niva Elkin-Koren, University of Haifa Faculty of Law, is publishing Tailoring Copyright to Social Production, in volume 12 of Theoretical Inquiries in Law (2011). Here is the abstract.
THR, Esq. Entertainment & Media Law Blog
JUNE 1, 2016
The creator of the zombie series is asserting trademark rights to stop a restaurateur. read more. THR, Esq. The Business Television Business THR Online
Broadcast Law Blog
FEBRUARY 14, 2014
music rights), and others that I will write about more in coming weeks, including privacy, online sponsorship attribution, user-generated content, and other issues that arise in the online world. What often happens is that someone at a station is putting together some content for a station website – say the arrival in town of some band whose music the station plays. ” While in some ways it is, it really is more a medium for the dissemination of content in one way or another.
Media Law Prof Blog
MAY 21, 2010
Marc Cuban's Content Partners is suing Paramount Pictures for millions over what it alleges is breach of contract and fraud stemming from unpaid profits on various films such as "The Truman Show" and "A Civil Action," according to The Hollywood
THR, Esq. Entertainment & Media Law Blog
OCTOBER 25, 2016
MP3Tunes and its founder Michael Robertson can't escape a determination of owing tens of millions of dollars to record labels and music publishers. read more. THR, Esq. The Business Movies Music Tech Business THR Online
THR, Esq. Entertainment & Media Law Blog
APRIL 26, 2017
Copyright holders get the victory against a Dutch seller. read more. THR, Esq. Business Television Tech Business THR Online
THR, Esq. Entertainment & Media Law Blog
JULY 7, 2016
The 14-year-old plaintiff, represented by Mark Geragos, came across a Buzzfeed article that "perverted" Disney characters into "obscene" images. read more. THR, Esq. The Business Tech Business THR Online
Media Law
APRIL 3, 2012
When it officially launched in December 2009, I wrote a review giving it credit for “getting into the game with swagger” by loading up on primary legal content, creating its own editorial enhancements, and developing its own citator to rival Shepard’s and KeyCite.
Music Technology Policy
APRIL 25, 2017
I want to call your attention to a letter by members of the Content Creators Coalition regarding the Copyright Office. Lofgren’s rambling can best be addressed by this letter to the Congressional Black Caucus from artist members of the Content Creators Coalition. (I
THR, Esq. Entertainment & Media Law Blog
JANUARY 23, 2017
A legally infamous adult publisher — along with friends at the Recording Industry Association of America — suffer a defeat. read more. THR, Esq. The Business Movies Music Tech Business THR Online
Media Law Prof Blog
JULY 27, 2011
From The Hollywood Reporter: CBS and Netflix have entered into a two year deal to provide Netflix users streaming content of CBS Corp's material, including 90210, United States of Tara, Californication, and Dexter. In addition, Latin American subscribers will get
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